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If there is one question I get asked the most, it's how I make my videos. I've had this idea for a while now, and I thought that this would be a good time
如果有一個我被問最多的問題，那就是我如何製作我的影片。我有這個想法已經一段時間了，我覺得現在是個好時機
to do it. In my videos, I try to have an emphasis on storytelling, film making, lighting, and there's been a lot of things I've picked up along the way. I
來做這件事。在我的影片中，我試圖強調故事講述、電影製作、燈光，而且一路上我學到了很多東西。我
guess the closest thing you can call it is a cinematic vlog, but that's still a very loose term. So, I asked you guys what you're most curious about, and
猜你能稱它的最接近的東西是電影感vlog，但那仍然是個很鬆散的術語。所以，我問你們最好奇什麼，而
today we're going to dive into what goes into a life of Rosette video.
今天我們要深入探討Life of Riza影片的製作過程。
Before we get into it, a brief backstory on how I got here in the first place.
在我們開始之前，先簡單說說我是怎麼走到這一步的。
Prior to YouTube, I was a freelancer. I did videography and eventually spent some time on set trying to learn as much as I could about the film world. That's when I really started
在做YouTube之前，我是一名自由工作者。我做攝影工作，最終花了一些時間在片場，盡可能多地學習電影世界。那時我真正開始
to not only fall in love with it, but to learn so much. But I always loved YouTube and making my own videos.
不僅愛上了它，而且學到了很多。但我一直喜歡YouTube和製作自己的影片。
So in 2020, I really started to take things more seriously. I was really inspired by shows that I was watching on streaming platforms at the time.
所以在2020年，我真的開始更認真地對待這些事情。我當時被我在串流平臺上看的節目深深啟發。
And separately from that, I was watching a whole ton of vlogs and a whole ton of filmmakers, but no one was really doing both the way that I wanted to
另外，我在看很多vlog和很多電影製作者的內容，但沒有人真的同時做這兩件事，以我想看到的方式。
see it. So I got curious. I went out and I made that video. And I knew that day something finally clicked and that became what I now call the cinematic
所以我變得好奇了。我出去製作了那支影片。我知道那天有些東西終於通了，那成為了我現在稱之為電影感
vlog. And I just made that up one day when somebody asked me to describe my videos and that was what I thought of. I'll talk about building
vlog的東西。我只是在某一天有人問我描述我的影片時編出來的，那是我想到的。我稍後會談談建立
style a little bit later, but that is essentially what ignited what my videos are today. That being said, whether I'm filming alone, vlogging on the go, or with a small crew on
風格，但那基本上是點燃我今天影片的東西。話雖如此，不管我是獨自拍攝、隨時隨地vlog，還是和小團隊一起做
bigger projects, there are things that almost never change no matter what kind of video I'm doing. And these are the foundations when you tune into a video of mine.
更大的專案，有些東西幾乎不管我在做什麼型別的影片都不會改變。這些是當你收看我的影片時的基礎。
I always write down my ideas every time something pops into my head. Once I know it's a strong enough idea, then I'll start pre-production. This is the hard
我總是在每次有東西閃過腦海時寫下我的想法。一旦我知道這是一個足夠強的想法，我就會開始前製。這是困難的
part because if I do my pre-production well, then filming goes smoothly and the editing is way easier. And without that first step, everything else falls apart.
部分，因為如果我前製做得好，那麼拍攝就會順利，剪輯也會容易得多。沒有那第一步，其他一切都會崩潰。
And I keep learning that lesson every time. Sometimes pre-production looks like just a basic outline, and other times it's a more detailed script, but mostly it's somewhere in
我每次都在學習這個教訓。有時候前製看起來只是一個基本大綱，其他時候是更詳細的指令碼，但大多數時候是介於
between with bullet points to keep me on track. Either way, I like to have a plan. There are many different ways you could structure a story. The
兩者之間，用要點來讓我保持在軌道上。不管怎樣，我喜歡有一個計劃。有很多不同的方式可以架構一個故事。
stories I end up pursuing are the ones where they feel the most relevant to me in the moment, it's a compelling enough case, and that there's a full story arc
我最終追求的故事是那些在當下對我最相關、有足夠說服力、而且有完整故事弧線的故事。
in it. But however you choose to tell your story, I think the main point of writing anything is to make people care.
但不管你選擇如何講你的故事，我認為寫任何東西的主要目的是讓人們關心。
So underrated, if there is really one thing I can say to focus on, it's that plead your case. Assume that nobody knows anything about you. They don't
太被低估了，如果真的有一件事我可以說要專注的，那就是陳述你的理由。假設沒有人知道關於你的任何事情。他們沒有
have the full story like you do. And so sometimes making someone care is as simple as providing context. For example, I did a marathon video called the art of showing up an outlier in
像你一樣瞭解完整的故事。所以有時候讓某人關心就是簡單地提供背景。例如，我做了一個馬拉鬆影片叫做「展現的藝術」，在
terms of style. It was not cinematic at all. Traditional vlog. I really tried to make sure that people cared about the characters in that video because my audience doesn't have the same
風格方面是異類。完全沒有電影感。傳統vlog。我真的努力確保人們關心那個影片中的角色，因為我的觀眾和他們沒有同樣的
relationship with them as I do. So it's important to them to know the context these people have in my life. And once I understood that, I think that's when
關係。所以對他們來說，瞭解這些人在我生活中的背景很重要。一旦我理解了這一點，我認為那是當
I started to see a huge difference. So for that video, I did the most basic outline. I think it was like day 1, day 2, day three. Granted, something like a marathon or
我開始看到巨大差異的時候。所以對於那個影片，我做了最基本的大綱。我想是像第一天、第二天、第三天這樣。當然，像馬拉鬆或
transformation has a built-in story already, but for more complex ideas, I sit down and I do a shot list. I will write down the shots I need for
轉變這樣的事情本身就有一個內建的故事，但對於更複雜的想法，我會坐下來做鏡頭清單。我會寫下我
sure, but if it's film making heavy, then I'm definitely drawing them out.
需要的鏡頭，但如果是電影製作比較重的，那我肯定會把它們畫出來。
This is the notepad that I've been using and I'm pretty much done. I need a new one. something. It will look like this. This is from Oh, this is from a
這是我一直在用的筆記本，我差不多用完了。我需要新的了。它會看起來像這樣。這是來自哦，這是來自一個
project I did. There are days when I'm filming upwards of 30 shots and I there's no way that I'm remembering all that. So, it's easier for me to just
我做的專案。有些時候我拍攝超過30個鏡頭，我不可能記住所有那些。所以，對我來說更容易
reference the drawings so I can remember the composition. Storytelling is not something that came naturally to me, but it is something that made a huge difference once I started to focus on
參考這些圖畫，這樣我能記住構圖。講故事對我來說不是自然而然的事，但一旦我開始專注於它，它確實產生了巨大的差異。
it. But my favorite part is when I get to filming.
但我最喜歡的部分是當我開始拍攝的時候。
Before I continue, I need you to know that it's taken several years for me to accumulate all the care that I have now.
在我繼續之前，我需要你知道我花了好幾年才累積了我現在擁有的所有裝置。
It definitely did not happen all at once, although that would have been nice. That being said, you're here to know what I use, so do with this information what you will. First up is
這絕對不是一夜之間發生的，雖然那樣會很好。話雖如此，你是來瞭解我用什麼的，所以隨意使用這些資訊。首先是
camera. I like a camera that has full-frame capabilities. Good for vlogging if you have a short reach. If you are just starting out, I'm going to
攝影機。我喜歡有全畫幅功能的攝影機。如果你手臂不夠長，適合vlog。如果你剛開始，我要
say this. You do not need a cinema line camera. Really, you don't. As much as I love the camera that I use, instead I would maybe get a camera body a bit less
說這個。你不需要電影級攝影機。真的，你不需要。雖然我喜歡我用的攝影機，但我可能會選擇一臺便宜一點的機身
expensive and then focus on lenses and lighting.
然後專注於鏡頭和燈光。
That's just my opinion. Next is a versatile lens if you're doing more cinematic stuff. 24 to 70 2.8, right?
這只是我的意見。接下來是如果你做更電影感的東西需要一個多用途鏡頭。24到70 2.8，對吧？
But I would go for something wider if you want that vlog look like an 11 millimeter or a 16 mil. I've also had the chance to use cine lenses this year
但如果你想要那種vlog的樣子，我會選擇更廣的，比如11毫米或16毫米。今年我也有機會使用電影鏡頭
which I love. And usually I'll put on a filter like the promiss 1/8. When it comes down to it, different lenses give off different vibes. So it really just
我很喜歡。通常我會裝上像promiss 1/8這樣的濾鏡。歸根結底，不同的鏡頭給出不同的感覺。所以真的取決於
depends on what you're going for. In the future I would love to try my style with different cameras, different lenses, even phones. So let me know if you want
你想要什麼。未來我很想用不同的攝影機、不同的鏡頭，甚至手機來嘗試我的風格。如果你想
to see that. For audio, I keep it simple. either a good shotgun mic or lavs. I've been using the road mic pros and I love them. Sometimes if I'm in a
看到那個，請讓我知道。對於音訊，我保持簡單。要麼是好的指向性麥克風，要麼是領夾式麥克風。我一直在用Rode Mic Pro，我很喜歡。有時如果我趕時間，
pinch, I'll also use them for my voiceovers actually. And I like these because I'm usually filming with Arya and they have worked so good every single time. This is my travel tripod
我實際上也會用它們做旁白。我喜歡這些是因為我通常和Arya一起拍，它們每次都很好用。這是我的旅行三腳架
and this is my baby tripod. Colt gave this to me and it's fantastic. Payload is crazy. I use both simultaneously and what I have on them is quick release
這是我的小三腳架。Colt送給我的，太棒了。承載重量很驚人。我同時使用兩個，上面有快拆板
plates and basically it allows me to switch from one to the other so quickly.
基本上讓我可以非常快速地從一個切換到另一個。
Boom. That's it. I love that. Literally the best invention ever. Can't live without it. I will link everything in the description below. Affiliate of course if you want to support the
砰。就這樣。我喜歡這個。真的是有史以來最棒的發明。離不開它。我會在下面的描述中連結所有東西。當然是聯盟連結，如果你想支援
channel. I really appreciate that. I use a variety of lights. Big lights, small lights, natural lights, naturallooking lights. Truthfully, lighting can be a whole video on its
這個頻道。我真的很感激。我使用各種燈光。大燈、小燈、自然光、看起來自然的燈光。說實話，燈光本身就可以是一整支影片。
own. But if there's one thing that made a difference with learning lighting, it's to pull reference images. I'll use something like Frame Set or Pinterest.
但如果有一件事在學習燈光方面產生了差異，那就是拉取參考圖片。我會使用像Frame Set或Pinterest這樣的東西。
Sometimes I'll make mood boards, especially if I'm crafting a scene. Or if it happens spontaneously, I know to just roll with it. Even if I don't know how to do something, I'll keep looking
有時我會做情緒板，特別是如果我在打造一個場景。或者如果它自發發生，我知道就順其自然。即使我不知道怎麼做某件事，我會繼續看
back and forth at my lighting references while setting up until I figure it out.
來回看我的燈光參考，同時設定直到我弄明白。
and it is truly essential when working with others so everyone's on the same page. Here's a mini lighting lesson. Unfortunately, I love this light, the Amaran F22C. I use this light
當與他人合作時，這真的很重要，這樣每個人都在同一頁上。這是一個迷你燈光課程。很不幸，我喜歡這個燈，Amaran F22C。我用這個燈
for all my A-roll. It is a little big. I think that they have a smaller version, which I will probably also get.
做所有的A-roll。它有點大。我想他們有一個更小的版本，我可能也會買。
Don't judge, but I use a foam board that needs to be replaced. As you can see, I use it all the time. And then I usually just have a bounce
別評判，但我用一塊需要換掉的泡沫板。如你所見，我一直在用它。然後我通常只用一個反光板
to fill in the shadows a little bit more. I just got this from the dollar store literally. And that is how you do it. I try to be pretty intentional when filming, not really
來多填充一些陰影。我就是從一元店買的。這就是你怎麼做的。我拍攝時盡量有意圖，不過度拍攝。
overshooting. And when I move the camera, there's always a reason for it.
當我移動攝影機時，總是有原因的。
I always thought our style is a combination of things that inspire you and your creative solutions around any limitations you have at that time. For example, when I first started out, I
我一直認為我們的風格是啟發你的東西和你在當時任何限制下的創意解決方案的組合。例如，當我剛開始時，我
didn't have a lot of help filming. So, I would film on a tripod, but I would just get a ton of angles to keep things interesting. And now, that's kind of a
沒有很多拍攝幫助。所以，我會用三腳架拍，但我會拍很多角度來保持事情有趣。現在，那種
cornerstone characteristic when it comes to my videos. Now, constraints exist for a reason. It helps you do what you can in the time that you have with the
成為我影片的基石特徵。現在，限制存在是有原因的。它幫助你在有限的時間內用你被給予的東西
things that you're given. And I think that's when you come up with extremely creative solutions. You can say it comes down to color grading or that it comes down to lighting, but truthfully
做你能做的。我認為那是當你想出極其有創意的解決方案的時候。你可以說這歸結於調色或燈光，但實際上
it comes down to all the little creative choices combined that will make you stand out and create what will ultimately be known as your style. I would say majority of what you
這歸結於所有小的創意選擇的結合，這些將使你脫穎而出並創造最終被稱為你的風格的東西。我會說你
see is already done in camera. It's also about the color palette you choose and what you wear and all the little choices that contribute to making that final image. because there are sometimes where
看到的大部分已經在攝影機裡完成了。這也關於你選擇的色彩調色盤、你穿什麼以及所有那些有助於製作最終影象的小選擇。因為有時候
I don't really have the lighting that I want, but if the set design is good, if I have colors on my wardrobe, then it still kind of makes the shot.
我沒有我想要的燈光，但如果場景設計好，如果我的服裝有顏色，那仍然能讓鏡頭看起來不錯。
And don't underestimate natural lighting either. It goes a long way. So, sometimes you're just picking and choosing elements, but it's not always down to just one thing. I'm
也不要低估自然光。它能走很遠。所以，有時你只是挑選元素，但這並不總是歸結於一件事。我
always going for a certain look or feel.
總是追求某種外觀或感覺。
I love aesthetics. What can I say? I've always been fascinated with art direction, set design. As you can see, I'm always collecting little trinkets for my shelves. I wish I can say
我愛美學。我能說什麼？我一直對藝術指導、場景設計很著迷。如你所見，我總是為我的架子收集小擺設。我希望我能說
that it just happens, but truthfully, it does take a lot of intention into making a space. And to me, it's always worth it. Ultimately, I try my best to make things look as effortless
這只是自然發生的，但說實話，打造一個空間確實需要很多意圖。對我來說，這總是值得的。最終，我盡力讓事情看起來毫不費力
as possible, even when it's not. I never want to take people out of the video. I just want them to live in the story and enjoy it.
即使它不是。我從不想讓人們從影片中出戲。我只是想讓他們活在故事中並享受它。
Someone told me, "You'll know when it clicks," which I always thought was complete BS until it actually happened. But until then, keep on experimenting and building upon things.
有人告訴我，「你會知道什麼時候它通了」，我一直以為這完全是廢話，直到它真的發生了。但在那之前，繼續嘗試和累積。
It's the stepping stones that make the biggest difference versus the huge leaps every once in a while. The more you do it, the faster you get
是那些墊腳石產生最大的差異，而不是偶爾的巨大飛躍。你做得越多，你就越快到達
there. And over time, you get to see it evolve. If you think about it, every director, every creator, every author that you love has their own distinct style. It's like they're their
那裡。隨著時間，你會看到它進化。如果你想想，你喜歡的每一位導演、每一位創作者、每一位作家都有他們自己獨特的風格。就像他們是自己的
own category. It's what they're known for. And I think that's important to try to find for yourself.
類別。這是他們出名的原因。我認為為自己找到這個很重要。
So, you can ultimately make videos like me, but the goal should be to make things like you and figure out what that looks like. Most importantly, enjoy the process because building
所以，你最終可以像我一樣製作影片，但目標應該是做像你自己的東西，弄清楚那看起來像什麼。最重要的是，享受這個過程，因為建立
things does not happen overnight. So, I hope you guys enjoyed that. Let me know if it was helpful. Please like and subscribe if it was. Thanks for watching and I'll see you soon.
東西不會在一夜之間發生。所以，我希望你們喜歡這個。讓我知道是否有幫助。如果有幫助請按讚和訂閱。感謝觀看，我們很快見。
>>
好的，這就是今天的全部內容。再見！
點擊句子跳轉到對應位置
If there is one question I get asked the most, it's how I make my videos. I've had this idea for a while now, and I thought that this would be a good time
如果有一個我被問最多的問題，那就是我如何製作我的影片。我有這個想法已經一段時間了，我覺得現在是個好時機
to do it. In my videos, I try to have an emphasis on storytelling, film making, lighting, and there's been a lot of things I've picked up along the way. I
來做這件事。在我的影片中，我試圖強調故事講述、電影製作、燈光，而且一路上我學到了很多東西。我
guess the closest thing you can call it is a cinematic vlog, but that's still a very loose term. So, I asked you guys what you're most curious about, and
猜你能稱它的最接近的東西是電影感vlog，但那仍然是個很鬆散的術語。所以，我問你們最好奇什麼，而
today we're going to dive into what goes into a life of Rosette video.
今天我們要深入探討Life of Riza影片的製作過程。
Before we get into it, a brief backstory on how I got here in the first place.
在我們開始之前，先簡單說說我是怎麼走到這一步的。
Prior to YouTube, I was a freelancer. I did videography and eventually spent some time on set trying to learn as much as I could about the film world. That's when I really started
在做YouTube之前，我是一名自由工作者。我做攝影工作，最終花了一些時間在片場，盡可能多地學習電影世界。那時我真正開始
to not only fall in love with it, but to learn so much. But I always loved YouTube and making my own videos.
不僅愛上了它，而且學到了很多。但我一直喜歡YouTube和製作自己的影片。
So in 2020, I really started to take things more seriously. I was really inspired by shows that I was watching on streaming platforms at the time.
所以在2020年，我真的開始更認真地對待這些事情。我當時被我在串流平臺上看的節目深深啟發。
And separately from that, I was watching a whole ton of vlogs and a whole ton of filmmakers, but no one was really doing both the way that I wanted to
另外，我在看很多vlog和很多電影製作者的內容，但沒有人真的同時做這兩件事，以我想看到的方式。
see it. So I got curious. I went out and I made that video. And I knew that day something finally clicked and that became what I now call the cinematic
所以我變得好奇了。我出去製作了那支影片。我知道那天有些東西終於通了，那成為了我現在稱之為電影感
vlog. And I just made that up one day when somebody asked me to describe my videos and that was what I thought of. I'll talk about building
vlog的東西。我只是在某一天有人問我描述我的影片時編出來的，那是我想到的。我稍後會談談建立
style a little bit later, but that is essentially what ignited what my videos are today. That being said, whether I'm filming alone, vlogging on the go, or with a small crew on
風格，但那基本上是點燃我今天影片的東西。話雖如此，不管我是獨自拍攝、隨時隨地vlog，還是和小團隊一起做
bigger projects, there are things that almost never change no matter what kind of video I'm doing. And these are the foundations when you tune into a video of mine.
更大的專案，有些東西幾乎不管我在做什麼型別的影片都不會改變。這些是當你收看我的影片時的基礎。
I always write down my ideas every time something pops into my head. Once I know it's a strong enough idea, then I'll start pre-production. This is the hard
我總是在每次有東西閃過腦海時寫下我的想法。一旦我知道這是一個足夠強的想法，我就會開始前製。這是困難的
part because if I do my pre-production well, then filming goes smoothly and the editing is way easier. And without that first step, everything else falls apart.
部分，因為如果我前製做得好，那麼拍攝就會順利，剪輯也會容易得多。沒有那第一步，其他一切都會崩潰。
And I keep learning that lesson every time. Sometimes pre-production looks like just a basic outline, and other times it's a more detailed script, but mostly it's somewhere in
我每次都在學習這個教訓。有時候前製看起來只是一個基本大綱，其他時候是更詳細的指令碼，但大多數時候是介於
between with bullet points to keep me on track. Either way, I like to have a plan. There are many different ways you could structure a story. The
兩者之間，用要點來讓我保持在軌道上。不管怎樣，我喜歡有一個計劃。有很多不同的方式可以架構一個故事。
stories I end up pursuing are the ones where they feel the most relevant to me in the moment, it's a compelling enough case, and that there's a full story arc
我最終追求的故事是那些在當下對我最相關、有足夠說服力、而且有完整故事弧線的故事。
in it. But however you choose to tell your story, I think the main point of writing anything is to make people care.
但不管你選擇如何講你的故事，我認為寫任何東西的主要目的是讓人們關心。
So underrated, if there is really one thing I can say to focus on, it's that plead your case. Assume that nobody knows anything about you. They don't
太被低估了，如果真的有一件事我可以說要專注的，那就是陳述你的理由。假設沒有人知道關於你的任何事情。他們沒有
have the full story like you do. And so sometimes making someone care is as simple as providing context. For example, I did a marathon video called the art of showing up an outlier in
像你一樣瞭解完整的故事。所以有時候讓某人關心就是簡單地提供背景。例如，我做了一個馬拉鬆影片叫做「展現的藝術」，在
terms of style. It was not cinematic at all. Traditional vlog. I really tried to make sure that people cared about the characters in that video because my audience doesn't have the same
風格方面是異類。完全沒有電影感。傳統vlog。我真的努力確保人們關心那個影片中的角色，因為我的觀眾和他們沒有同樣的
relationship with them as I do. So it's important to them to know the context these people have in my life. And once I understood that, I think that's when
關係。所以對他們來說，瞭解這些人在我生活中的背景很重要。一旦我理解了這一點，我認為那是當
I started to see a huge difference. So for that video, I did the most basic outline. I think it was like day 1, day 2, day three. Granted, something like a marathon or
我開始看到巨大差異的時候。所以對於那個影片，我做了最基本的大綱。我想是像第一天、第二天、第三天這樣。當然，像馬拉鬆或
transformation has a built-in story already, but for more complex ideas, I sit down and I do a shot list. I will write down the shots I need for
轉變這樣的事情本身就有一個內建的故事，但對於更複雜的想法，我會坐下來做鏡頭清單。我會寫下我
sure, but if it's film making heavy, then I'm definitely drawing them out.
需要的鏡頭，但如果是電影製作比較重的，那我肯定會把它們畫出來。
This is the notepad that I've been using and I'm pretty much done. I need a new one. something. It will look like this. This is from Oh, this is from a
這是我一直在用的筆記本，我差不多用完了。我需要新的了。它會看起來像這樣。這是來自哦，這是來自一個
project I did. There are days when I'm filming upwards of 30 shots and I there's no way that I'm remembering all that. So, it's easier for me to just
我做的專案。有些時候我拍攝超過30個鏡頭，我不可能記住所有那些。所以，對我來說更容易
reference the drawings so I can remember the composition. Storytelling is not something that came naturally to me, but it is something that made a huge difference once I started to focus on
參考這些圖畫，這樣我能記住構圖。講故事對我來說不是自然而然的事，但一旦我開始專注於它，它確實產生了巨大的差異。
it. But my favorite part is when I get to filming.
但我最喜歡的部分是當我開始拍攝的時候。
Before I continue, I need you to know that it's taken several years for me to accumulate all the care that I have now.
在我繼續之前，我需要你知道我花了好幾年才累積了我現在擁有的所有裝置。
It definitely did not happen all at once, although that would have been nice. That being said, you're here to know what I use, so do with this information what you will. First up is
這絕對不是一夜之間發生的，雖然那樣會很好。話雖如此，你是來瞭解我用什麼的，所以隨意使用這些資訊。首先是
camera. I like a camera that has full-frame capabilities. Good for vlogging if you have a short reach. If you are just starting out, I'm going to
攝影機。我喜歡有全畫幅功能的攝影機。如果你手臂不夠長，適合vlog。如果你剛開始，我要
say this. You do not need a cinema line camera. Really, you don't. As much as I love the camera that I use, instead I would maybe get a camera body a bit less
說這個。你不需要電影級攝影機。真的，你不需要。雖然我喜歡我用的攝影機，但我可能會選擇一臺便宜一點的機身
expensive and then focus on lenses and lighting.
然後專注於鏡頭和燈光。
That's just my opinion. Next is a versatile lens if you're doing more cinematic stuff. 24 to 70 2.8, right?
這只是我的意見。接下來是如果你做更電影感的東西需要一個多用途鏡頭。24到70 2.8，對吧？
But I would go for something wider if you want that vlog look like an 11 millimeter or a 16 mil. I've also had the chance to use cine lenses this year
但如果你想要那種vlog的樣子，我會選擇更廣的，比如11毫米或16毫米。今年我也有機會使用電影鏡頭
which I love. And usually I'll put on a filter like the promiss 1/8. When it comes down to it, different lenses give off different vibes. So it really just
我很喜歡。通常我會裝上像promiss 1/8這樣的濾鏡。歸根結底，不同的鏡頭給出不同的感覺。所以真的取決於
depends on what you're going for. In the future I would love to try my style with different cameras, different lenses, even phones. So let me know if you want
你想要什麼。未來我很想用不同的攝影機、不同的鏡頭，甚至手機來嘗試我的風格。如果你想
to see that. For audio, I keep it simple. either a good shotgun mic or lavs. I've been using the road mic pros and I love them. Sometimes if I'm in a
看到那個，請讓我知道。對於音訊，我保持簡單。要麼是好的指向性麥克風，要麼是領夾式麥克風。我一直在用Rode Mic Pro，我很喜歡。有時如果我趕時間，
pinch, I'll also use them for my voiceovers actually. And I like these because I'm usually filming with Arya and they have worked so good every single time. This is my travel tripod
我實際上也會用它們做旁白。我喜歡這些是因為我通常和Arya一起拍，它們每次都很好用。這是我的旅行三腳架
and this is my baby tripod. Colt gave this to me and it's fantastic. Payload is crazy. I use both simultaneously and what I have on them is quick release
這是我的小三腳架。Colt送給我的，太棒了。承載重量很驚人。我同時使用兩個，上面有快拆板
plates and basically it allows me to switch from one to the other so quickly.
基本上讓我可以非常快速地從一個切換到另一個。
Boom. That's it. I love that. Literally the best invention ever. Can't live without it. I will link everything in the description below. Affiliate of course if you want to support the
砰。就這樣。我喜歡這個。真的是有史以來最棒的發明。離不開它。我會在下面的描述中連結所有東西。當然是聯盟連結，如果你想支援
channel. I really appreciate that. I use a variety of lights. Big lights, small lights, natural lights, naturallooking lights. Truthfully, lighting can be a whole video on its
這個頻道。我真的很感激。我使用各種燈光。大燈、小燈、自然光、看起來自然的燈光。說實話，燈光本身就可以是一整支影片。
own. But if there's one thing that made a difference with learning lighting, it's to pull reference images. I'll use something like Frame Set or Pinterest.
但如果有一件事在學習燈光方面產生了差異，那就是拉取參考圖片。我會使用像Frame Set或Pinterest這樣的東西。
Sometimes I'll make mood boards, especially if I'm crafting a scene. Or if it happens spontaneously, I know to just roll with it. Even if I don't know how to do something, I'll keep looking
有時我會做情緒板，特別是如果我在打造一個場景。或者如果它自發發生，我知道就順其自然。即使我不知道怎麼做某件事，我會繼續看
back and forth at my lighting references while setting up until I figure it out.
來回看我的燈光參考，同時設定直到我弄明白。
and it is truly essential when working with others so everyone's on the same page. Here's a mini lighting lesson. Unfortunately, I love this light, the Amaran F22C. I use this light
當與他人合作時，這真的很重要，這樣每個人都在同一頁上。這是一個迷你燈光課程。很不幸，我喜歡這個燈，Amaran F22C。我用這個燈
for all my A-roll. It is a little big. I think that they have a smaller version, which I will probably also get.
做所有的A-roll。它有點大。我想他們有一個更小的版本，我可能也會買。
Don't judge, but I use a foam board that needs to be replaced. As you can see, I use it all the time. And then I usually just have a bounce
別評判，但我用一塊需要換掉的泡沫板。如你所見，我一直在用它。然後我通常只用一個反光板
to fill in the shadows a little bit more. I just got this from the dollar store literally. And that is how you do it. I try to be pretty intentional when filming, not really
來多填充一些陰影。我就是從一元店買的。這就是你怎麼做的。我拍攝時盡量有意圖，不過度拍攝。
overshooting. And when I move the camera, there's always a reason for it.
當我移動攝影機時，總是有原因的。
I always thought our style is a combination of things that inspire you and your creative solutions around any limitations you have at that time. For example, when I first started out, I
我一直認為我們的風格是啟發你的東西和你在當時任何限制下的創意解決方案的組合。例如，當我剛開始時，我
didn't have a lot of help filming. So, I would film on a tripod, but I would just get a ton of angles to keep things interesting. And now, that's kind of a
沒有很多拍攝幫助。所以，我會用三腳架拍，但我會拍很多角度來保持事情有趣。現在，那種
cornerstone characteristic when it comes to my videos. Now, constraints exist for a reason. It helps you do what you can in the time that you have with the
成為我影片的基石特徵。現在，限制存在是有原因的。它幫助你在有限的時間內用你被給予的東西
things that you're given. And I think that's when you come up with extremely creative solutions. You can say it comes down to color grading or that it comes down to lighting, but truthfully
做你能做的。我認為那是當你想出極其有創意的解決方案的時候。你可以說這歸結於調色或燈光，但實際上
it comes down to all the little creative choices combined that will make you stand out and create what will ultimately be known as your style. I would say majority of what you
這歸結於所有小的創意選擇的結合，這些將使你脫穎而出並創造最終被稱為你的風格的東西。我會說你
see is already done in camera. It's also about the color palette you choose and what you wear and all the little choices that contribute to making that final image. because there are sometimes where
看到的大部分已經在攝影機裡完成了。這也關於你選擇的色彩調色盤、你穿什麼以及所有那些有助於製作最終影象的小選擇。因為有時候
I don't really have the lighting that I want, but if the set design is good, if I have colors on my wardrobe, then it still kind of makes the shot.
我沒有我想要的燈光，但如果場景設計好，如果我的服裝有顏色，那仍然能讓鏡頭看起來不錯。
And don't underestimate natural lighting either. It goes a long way. So, sometimes you're just picking and choosing elements, but it's not always down to just one thing. I'm
也不要低估自然光。它能走很遠。所以，有時你只是挑選元素，但這並不總是歸結於一件事。我
always going for a certain look or feel.
總是追求某種外觀或感覺。
I love aesthetics. What can I say? I've always been fascinated with art direction, set design. As you can see, I'm always collecting little trinkets for my shelves. I wish I can say
我愛美學。我能說什麼？我一直對藝術指導、場景設計很著迷。如你所見，我總是為我的架子收集小擺設。我希望我能說
that it just happens, but truthfully, it does take a lot of intention into making a space. And to me, it's always worth it. Ultimately, I try my best to make things look as effortless
這只是自然發生的，但說實話，打造一個空間確實需要很多意圖。對我來說，這總是值得的。最終，我盡力讓事情看起來毫不費力
as possible, even when it's not. I never want to take people out of the video. I just want them to live in the story and enjoy it.
即使它不是。我從不想讓人們從影片中出戲。我只是想讓他們活在故事中並享受它。
Someone told me, "You'll know when it clicks," which I always thought was complete BS until it actually happened. But until then, keep on experimenting and building upon things.
有人告訴我，「你會知道什麼時候它通了」，我一直以為這完全是廢話，直到它真的發生了。但在那之前，繼續嘗試和累積。
It's the stepping stones that make the biggest difference versus the huge leaps every once in a while. The more you do it, the faster you get
是那些墊腳石產生最大的差異，而不是偶爾的巨大飛躍。你做得越多，你就越快到達
there. And over time, you get to see it evolve. If you think about it, every director, every creator, every author that you love has their own distinct style. It's like they're their
那裡。隨著時間，你會看到它進化。如果你想想，你喜歡的每一位導演、每一位創作者、每一位作家都有他們自己獨特的風格。就像他們是自己的
own category. It's what they're known for. And I think that's important to try to find for yourself.
類別。這是他們出名的原因。我認為為自己找到這個很重要。
So, you can ultimately make videos like me, but the goal should be to make things like you and figure out what that looks like. Most importantly, enjoy the process because building
所以，你最終可以像我一樣製作影片，但目標應該是做像你自己的東西，弄清楚那看起來像什麼。最重要的是，享受這個過程，因為建立
things does not happen overnight. So, I hope you guys enjoyed that. Let me know if it was helpful. Please like and subscribe if it was. Thanks for watching and I'll see you soon.
東西不會在一夜之間發生。所以，我希望你們喜歡這個。讓我知道是否有幫助。如果有幫助請按讚和訂閱。感謝觀看，我們很快見。
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